

Members’ Conference Online 1-Day Pass (Friday)
Friday 24 July 2026
From 9am BST

Event Date:
Friday 24 July 2026
Event Time:
From 9am BST
Country:
Location:
Online
Available Online?
Yes
Who’s it for?
RAD Members
CPD hours:
7 hours Time-Valued CPD
Fee:
£95*
Contact:
*Subject to availability. Ticket price is inclusive of VAT and ticket transaction fees.
Headline Sponsor of the event

Join us online from anywhere in the world, with a day‑only pass to the Friday of RAD Members’ Conference 2026 — a lively event that brings our global dance community together.
Discover a brand-new RAD experience launching this year, packed with practical workshops and opportunities to connect with fellow RAD members, dance educators, and industry experts.
The programme will feature a rich mix of talks, CPD sessions, workshops, and tasters, providing 7 hours of Time-Valued CPD**. This ticket will include the RAD Annual General Meeting and give you access to watch the recordings on demand. Session recordings will be available for 6 months after the conference.
To purchase full conference passes or view other ticketing options, please see below. You can also add a non-member guest to your booking for an additional ticket fee.
Pay for your ticket in instalments
Members can now pay for their Members’ Conference tickets in instalments. Secure your ticket with a 50% deposit***.
**Participants who have exceeded their required CPD hours for the 2025/26 CPD year can carry forward any additional hours gained from the Members’ Conference into 2026/27.
***Full payment must reach us before 8 July.
Online sessions available
Friday

Ballet and Beyond: the road ahead for RAD
Available for in-person and online attendees
Join us as we kickstart the RAD Members’ Conference 2026. This session features a celebration of the launch of the new Musical Theatre syllabus and will set the stage for an engaging weekend which promises insights, inspiration, and an exciting look ahead at the future of dance.
Session speaker: Alexander Campbell
Alexander Campbell was born in Sydney, Australia. He was attracted to ballet at the age of five after seeing the work of his grandmother, a former examiner for the Royal Academy of Dance
Alexander won a silver medal at the 2003 RAD Genée International Ballet Competition (now renamed The Fonteyn), which was held in Birmingham. Through this experience, Alexander was introduced to Birmingham Royal Ballet, securing his first job with the company in 2005.
He joined The Royal Ballet as a Soloist in 2011 and was promoted to Principal in June 2016, a role he held until retiring to take up the position of Artistic Director of the Royal Academy of Dance in 2024.

Annual General Meeting
Available for in-person and online attendees
Our 89th Annual General Meeting is your chance to vote for our next Trustees. You can ask questions to the RAD’s Executive team, including RAD’s CEO, Elizabeth Honer and Chair of the Board of Trustees, Stephen Moss. Only Eligible Members (Teachers, RAD Member Plus, and Life Members) can participate in this session.

Musical Theatre: Putting it Together
Available for in-person and online attendees
We sing… we dance… we act… now we must do it all at the same time! Dr Nathan James will guide you through a rehearsal process of showing you how we can build on integrating the technical skills into one complete performance.
Session speaker: Dr Nathan James
Dr Nathan James PhD MA (Dist.)
Fellow and Examiner ISTD FIDTA ANATD MBBO Cert FE (QTLS)
Nathan trained in the Midlands in all musical theatre and dance disciplines, along with his initial teaching qualifications. As a performer, he appeared in several pantomimes at the Birmingham Hippodrome alongside several contracts for Celebrity and Princess Cruise Lines. Upon returning to England and settling in London, Nathan has performed in a range of regional productions, including ‘Copacabana’ and ‘Hello Dolly’ and various trade shows and TV commercials. He has toured the UK in the national tour of ‘Copacabana’ and Europe in the Irish dance show ‘Spirit of the Dance’. He also completed a season at the renowned Chichester Festival Theatre. Nathan last appeared in the revival of the Broadway Musical ‘42nd Street’, albeit in German, in the city of Stuttgart.
Following his first passion, teaching, Nathan established himself as a successful jazz and tap tutor and choreographer working at several vocational schools, including Arts Ed, Mountview Academy of Theatre Arts, Bodywork Dance Studios, Sylvia Young Theatre School and Performers College, Birmingham. In 2008, Nathan joined the faculty of Urdang Academy, ultimately taking over the running of the degree programmes as Director of HE Programmes. Nathan has also taught at many private dance schools and taught workshops across the country. He has also delivered the ISTD teaching qualifications at various centres.
He completed an MA in Professional Practice (awarded with Distinction) at Middlesex University and was awarded a PhD in Dance in 2018 from the University of Roehampton. He is an examiner for the ISTD Modern and Tap faculties and has been part of the teaching and creative team for tap. As an External Examiner, Nathan has overseen the degree programmes at Shockout and currently Laine Theatre Arts.
An experienced adjudicator, Nathan represents the British Federation of Festivals and was a trustee and Artistic Director for All England Dance, where he chaired the Artistic Committee. Nathan was responsible for the accreditation and launch of the Dang Theatre and Dance Syllabus and its rollout into performing arts schools. After working with the RAD as a development consultant and creating their OFQUAL-regulated Musical Theatre, Nathan has been appointed as the Deputy Artistic Director (Education).

Syllabus Technique: Focus on Adage
Available for online attendees
This session will explore elements of adage and its pedagogy through the graded and vocational levels. You will gain insight into how to best support your students in their development of their physical, musical and artistic demonstration of adage.

Exploring Character Dance: educating the 21st century dancer
Available for in-person and online attendees
This session explores the role of character dance in strengthening and enhancing classical ballet education for the contemporary dancer. Through discussion and practical reflection, the session will unpack key principles of character dance that support both technical and artistic development.
The session will also explore the influence and inclusion of character, folk, and national dance traditions within classical repertoire, with reference to works such as Raymonda, Dances at a Gathering, Onegin, and The Firebird.
Session Speaker: Justine Berry PDTD RTS ARAD PGCE MA
Justine joined London City Ballet at the age of seventeen and enjoyed an international performing career spanning 19 years. She graduated from the Royal Academy of Dance’s Professional Dancers’ Teaching Diploma (PDTD) with Distinction.
Justine has taught for the Royal Ballet School, English National Ballet School, Central School of Ballet, Rambert School of Ballet and Contemporary Dance, Laine Theatre Arts, amongst others. For the Royal Academy of Dance, she has taught across many programmes, summer schools, workshops and CPD activities.
She has also taught Benesh Movement Notation at the Royal Ballet School, anatomy at London Studio Centre and held the role of Ballet Mistress and répétiteur for many touring companies.
Justine has extensive experience in dance teacher education. She was a Lecturer in Dance Education for the Faculty of Education at the RAD from 2019 to 2022. She has taught on programmes including The Professional Dancers’ Postgraduate Certificate and the BA (Hons) in Ballet Education. She was significantly involved in the Royal Academy of Dance’s Professional Dancers’ Teaching Diploma (PDTD) UK for many years, including tutoring, assessing, and reshaping the programme. Justine was the PDTD Programme Manager (UK and China) from 2019 until 2022.
In 2022, Justine was appointed Subject Lead: Ballet and Contemporary at Bird College.
Justine taught Character technique and repertoire at the Royal Ballet School from 2018 until 2022. She was fortunate to study Maria Fay’s approach to character extensively with specialists Valerie Sunderland and Amanda Maxwell, both of whom worked closely with Maria Fay. Justine continues to teach Character for RBS Intensive programmes and auditions. She is a tutor for the Royal Ballet School’s Inspire seminars and has taught and assessed for the school’s Diploma in Dance Teaching.
Other roles include former Chairman of the Royal Academy of Dance’s London and Middlesex Regional Advisory Board and Trustee of the Academy, 2016 -2019. Justine returned as Trustee in 2024 and serves on the Artistic sub-committee.
Justine has a keen interest in music, in dance teaching and education. She holds a Level 7 Postgraduate Certificate in Learning and Teaching (University of the Arts) and the Master of Teaching (Dance) from the University of Surrey/ Royal Academy of Dance.

Matthew Bourne’s New Adventures Workshop
Session sponsor: Freed of London
Available for in-person and online attendees
A unique opportunity to work with leading New Adventures dance artists and explore movement from a Matthew Bourne production. The session will include learning choreography, creative tasks and provide an insight to New Adventures’ methodology and artistic approach.

Seated Swans Workshop
Available for online attendees
This session will introduce the RAD’s Seated Swans resources. Whether you are a Silver Swans® Licensee or you are interested in learning more about chair-based dance, this session will give you examples of appropriate exercises which can be adapted and made relevant for your individual learners.
Session speaker: Sarah Platt
Sarah trained with the Royal Academy of Dance (RAD) from childhood grades, through the Teacher Training College, a distance-learning degree course and into postgraduate education. Research in ‘Inclusive Dance Practice’ at Postgraduate level instigated an interest in more diverse teaching. Sarah was part of the RAD Dance for Lifelong Wellbeing (DfLW) project in 2012, undertaking practice-based research into the benefits and considerations when teaching older learners to dance. Having contributed to the RAD Report (2013) and presented at the DfLW conference (2013), she participated in the second phase of the DfLW project (2017) and acted as mentor to other researching teachers. From these beginnings came the creation of the RAD Silver Swans Ballet programme, formally launched in 2017, the benefits of which Sarah is passionate about.
Sarah has had the opportunity to share the joy of Silver Swans in many contexts, particularly during the pandemic when there was a surge of interest in ways to keep fit and healthy whilst isolating or in lockdown. Sharing enthusiasm through various media and presenting in a range of situations contributed to her earning the RAD Advocacy Award in 2020. Her latest project has been developing the Seated Swans programme so that even more people can share the joy of dance. Sarah currently enjoys teaching Silver Swans in a wide range of contexts, from church halls, through Zoom (still!), at RAD HQ, and she has the great honour of teaching our prestigious Swan, Queen Camilla, whenever Her Majesty’s diary permits.
See other Members’ Conference ticketing options
Musical Theatre Introductory Training (CPD)
Wednesday 22 July 2026 – Friday 24 July 2026
From 9am BST each day
£350*
Members’ Conference Bundle Pass
Wednesday 22 July 2026 – Sunday 26 July 2026
From 9am BST each day
£505*
Members’ Conference London 3-Day Pass
Friday 24 July 2026 – Sunday 26 July 2026
From 9am BST each day
£260*





